“…atmosfere ambient e neo-classiche con il dovuto tocco chill. Jam’s era già apparso su 51beats nel qualche anno addietro, a marzo torna con un lavoro più completo ed intenso, adatto a festeggiare il decimo compleanno di una netlabel oramai rimasta tra le ‘storiche’ in un panorama Creative italiano …”
DG: “Your sound is a mix between dubstep, house and garage / bass music.
Is difficult for you to maintain a purist approach to these styles, without getting influenced too much?” READ THE ANSWERS …..
Crayon Mortel who takes the reins for the first half of the release, getting things underway courtesy of ’Everything has to end somewhere’, a luscious jam with echoes of Gui Boratto at his Kompakt best. A track that quickly emerges into the sort of ethereal cut that Four Tet would be proud of, it’s immediate form the off that this is electronic music with soul. ‘Blossoms’ keeps matters ticking over with more twinkling melodies and unusual soundscapes, before ‘Cantalupe’ is characterised by its clever synth stabs and shrewd vocals. Mortel’s final contribution here is ‘The Third Night’. Another track that emphasises the producer’s eclecticism, it glides at a wonderful pace before it engulfs the listener in a warm glow. Truly stunning stuff, we’re sure you’ll agree.